solarjazzband
October 6th, 2003, 07:10 AM
I was studying with the book "The guitarist's guide to composing and improvising" from Jon Damian. (Fantastic, awesome, great book btw!). But it's not what I'm talking about;
He was talking about "The golden form", if you haven't heard about it: in art and nature, there's a natural climax on about 2/3 if the whole.
I had heard about it, but after that statement I realised that it was also with my own solos! I ALWAYS build my climax to (around) the 2/3 of the whole... So I was immediatly thinking: What if I use another form? I tried to play with a climax on the biginning, and fading away during the solo. Sound good, but it´s hard.
But what I try to ´ask´ is if I would use another form, would it be good to the listener, would he like it? It sounds so strange if you play it, but strange is sometimes good... But to the listener, does it have to be this golden form?
He was talking about "The golden form", if you haven't heard about it: in art and nature, there's a natural climax on about 2/3 if the whole.
I had heard about it, but after that statement I realised that it was also with my own solos! I ALWAYS build my climax to (around) the 2/3 of the whole... So I was immediatly thinking: What if I use another form? I tried to play with a climax on the biginning, and fading away during the solo. Sound good, but it´s hard.
But what I try to ´ask´ is if I would use another form, would it be good to the listener, would he like it? It sounds so strange if you play it, but strange is sometimes good... But to the listener, does it have to be this golden form?