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		<title>Jazz Bulletin Board</title>
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		<description>Jazz bulletin board discussion forum.</description>
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			<title>Jazz Bulletin Board</title>
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			<title>Charles Tyler: Charles Tyler Ensemble</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42342&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 15:30:31 GMT</pubDate>
			<description>Charles Tyler Ensemble possesses a profound quality. Unlike many records of the mid-1960s, it burns with a quiet blue flame, eschewing the intellectual posturing that characterized much new music in the avant-garde era. Tyler, a baritone saxophonist who became an acolyte of {{Albert Ayler =...</description>
			<content:encoded><![CDATA[<div>Charles Tyler Ensemble possesses a profound quality. Unlike many records of the mid-1960s, it burns with a quiet blue flame, eschewing the intellectual posturing that characterized much new music in the avant-garde era. Tyler, a baritone saxophonist who became an acolyte of {{Albert Ayler = 3538}}--following him to New York in the early part of the movement--transposes Ayler's famous gravitas to the horn of a higher register, the alto...<br />
<br />
<a href="http://www.allaboutjazz.com/php/article.php?id=34737" target="_blank">More...</a></div>

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			<title>George Garzone: Among Friends</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42341&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 15:30:31 GMT</pubDate>
			<description>George Garzone is one of the unsung heroes of the saxophone, who is known for playing fast and hard. Anyone who has heard his legendary group, The Fringe, whether live or on record, can testify to his ability to blow any competition off the stand, but there is also a softer side to his playing and...</description>
			<content:encoded><![CDATA[<div>George Garzone is one of the unsung heroes of the saxophone, who is known for playing fast and hard. Anyone who has heard his legendary group, The Fringe, whether live or on record, can testify to his ability to blow any competition off the stand, but there is also a softer side to his playing and it is this other aspect of Garzone's art that comes into full fruition on Among Friends, which finds him exploring the mood and aesthetic of the ballad...<br />
<br />
<a href="http://www.allaboutjazz.com/php/article.php?id=34753" target="_blank">More...</a></div>

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			<title><![CDATA[Gov't Mule Marches On: Live in Hampton Beach, NH]]></title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42340&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 15:30:31 GMT</pubDate>
			<description><![CDATA[Gov't Mule Casino Ballroom Hampton Beach, New Hampshire October 30th, 2009  Gov't Mule have long been savvy enough to invite like-minded artists on tour with them, ranging from Xavier Rudd to Back Door Slam to Robert Randolph. Few co-bills, however, have been so potent on paper as this 2009 fall...]]></description>
			<content:encoded><![CDATA[<div>Gov't Mule Casino Ballroom Hampton Beach, New Hampshire October 30th, 2009  Gov't Mule have long been savvy enough to invite like-minded artists on tour with them, ranging from Xavier Rudd to Back Door Slam to Robert Randolph. Few co-bills, however, have been so potent on paper as this 2009 fall jaunt with Jackie Greene. In Hampton Beach, the individual attractions were more successful collaboratively than playing on their own...<br />
<br />
<a href="http://www.allaboutjazz.com/php/article.php?id=34714" target="_blank">More...</a></div>

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			<title>Genesis: The Movie Box 1981-2007</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42339&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 15:30:31 GMT</pubDate>
			<description>Genesis Genesis: The Movie Box: 1981-2007 Rhino Records 2009With its entire audio discography now remixed and remastered on 1976-1982 (Rhino, 2007), 1983-1998 (Rhino, 2007), 1970-1975 (Rhino, 2008), and, most recently, Live: 1973-2007 (Rhino, 2009), legendary progressive popster Genesis finishes...</description>
			<content:encoded><![CDATA[<div>Genesis Genesis: The Movie Box: 1981-2007 Rhino Records 2009With its entire audio discography now remixed and remastered on 1976-1982 (Rhino, 2007), 1983-1998 (Rhino, 2007), 1970-1975 (Rhino, 2008), and, most recently, Live: 1973-2007 (Rhino, 2009), legendary progressive popster Genesis finishes its series with Genesis: The Movie Box. Like the Live CD box, The Movie Box: 1981-2007 collects a series of concert performances--some making their appearance on DVD for the first time--leaving space for When In Rome 2007 (Rhino, 2008), a three-DVD concert set from the group's 2007 reunion that also includes a nearly two-hour tour documentary, Come Rain Or Shine. Like the other boxes, it's CD-size, with DVDs housed in CD-style jewel cases...<br />
<br />
<a href="http://www.allaboutjazz.com/php/article.php?id=34775" target="_blank">More...</a></div>

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			<title>Happy Birthday Coleman Hawkins</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42338&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 06:24:52 GMT</pubDate>
			<description><![CDATA[Today would have been Hawks birthday. 
 
Probably the first sax player I ever fell in love with.  Since that time, my explorations in jazz have taken me many places that even Hawk himself wouldn't go.  But one thing has not changed.  I love me some Coleman Hawkins. 
 
Sit back, relax, put your feet...]]></description>
			<content:encoded><![CDATA[<div>Today would have been Hawks birthday.<br />
<br />
Probably the first sax player I ever fell in love with.  Since that time, my explorations in jazz have taken me many places that even Hawk himself wouldn't go.  But one thing has not changed.  I love me some Coleman Hawkins.<br />
<br />
Sit back, relax, put your feet up and enjoy the smooth, soulful sound of the Hawk.<br />
20 video play list.  Enjoy!<br />
<br />
<a href="http://jazzonthetube.com/videos/coleman-hawkins/coleman-hawkins.html" target="_blank">http://jazzonthetube.com/videos/cole...n-hawkins.html</a></div>

]]></content:encoded>
			<category domain="http://forums.allaboutjazz.com/forumdisplay.php?f=3"><![CDATA[Artists & Bands]]></category>
			<dc:creator>MooseAlexander</dc:creator>
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			<title>Memorizing and Apply: Chords and Scales</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42337&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 06:21:12 GMT</pubDate>
			<description><![CDATA[Hey Everyone, 
 
I'm setting up my practice routine and so far have everything ready except for the sessions involving chords/comping and scales/arpeggios. What would be a good way to form a routine for each so that one, I have voicings / scale / arpeggios memorized, and two can apply them. 
...]]></description>
			<content:encoded><![CDATA[<div>Hey Everyone,<br />
<br />
I'm setting up my practice routine and so far have everything ready except for the sessions involving chords/comping and scales/arpeggios. What would be a good way to form a routine for each so that one, I have voicings / scale / arpeggios memorized, and two can apply them.<br />
<br />
Right now I have this:<blockquote>Scales and Arpeggios<br />
-Play up and down (varied rhythms)<br />
-Intervals (up, down, up/down, down/up, doublestops)<br />
-Traids and Seventh Chord Arpeggios in position<br />
</blockquote></div>

]]></content:encoded>
			<category domain="http://forums.allaboutjazz.com/forumdisplay.php?f=8">Musician 2 Musician</category>
			<dc:creator>hbjazzer</dc:creator>
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			<title>David Murray and the Gwo ka Masters: The Devil Tried To Kill Me</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42336&amp;goto=newpost</link>
			<pubDate>Sat, 21 Nov 2009 03:20:22 GMT</pubDate>
			<description>This global block party, by saxophonist David Murray, blends ebullient African- rhythms with funk and jazz, brought by a fiery band that integrates two Gwo ka masters (Guadalupean drummers/vocalists), some sassy urban soul from pianist/vocalist Sista Kee, and the world renowned blues voice of {{Taj...</description>
			<content:encoded><![CDATA[<div>This global block party, by saxophonist David Murray, blends ebullient African- rhythms with funk and jazz, brought by a fiery band that integrates two Gwo ka masters (Guadalupean drummers/vocalists), some sassy urban soul from pianist/vocalist Sista Kee, and the world renowned blues voice of {{Taj Mahal = 8981}}. The Devil Tried To Kill Me is Murray's third release with the Gwo ka Masters, following 2004's well received Gwotet (Justin Time), a recording that also featured avant-garde icon, saxophonist {{Pharoah Sanders = 4045...<br />
<br />
<a href="http://www.allaboutjazz.com/php/article.php?id=34752" target="_blank">More...</a></div>

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			<dc:creator>RSS Feed Guy</dc:creator>
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			<title>400 Bars of Music</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42335&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 19:41:22 GMT</pubDate>
			<description>1 x 8 Bars - Intro 
1 x 32 Bars - Head (AABA) 
3 x 32 Bars - Guitar Solo 
3 x 32 Bars - Piano Solo 
1 x 32 Bars - A Guitar, A Piano, B Guitar, A Piano 
1 x 32 Bars - Drums 
1 x 32 Bars - AA Head, B Bass, A Head 
9 x 8 Bars - Intro Piano 
 
Recorded 98, Released 99;</description>
			<content:encoded><![CDATA[<div>1 x 8 Bars - Intro<br />
1 x 32 Bars - Head (AABA)<br />
3 x 32 Bars - Guitar Solo<br />
3 x 32 Bars - Piano Solo<br />
1 x 32 Bars - A Guitar, A Piano, B Guitar, A Piano<br />
1 x 32 Bars - Drums<br />
1 x 32 Bars - AA Head, B Bass, A Head<br />
9 x 8 Bars - Intro Piano<br />
<br />
Recorded 98, Released 99;<br />
<br />
4th Tune on the Album<br />
<br />
What is it?<br />
<br />
;)</div>

]]></content:encoded>
			<category domain="http://forums.allaboutjazz.com/forumdisplay.php?f=8">Musician 2 Musician</category>
			<dc:creator>Borys_Pomianek</dc:creator>
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			<title>Jazz Club Français / Disques ABC</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42334&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 19:00:57 GMT</pubDate>
			<description>Hi there, 
would anybody have any informations about the historical french/belgian label? 
Just below, I leave a text in french language. 
You can listen or buy this music at  
 
http://www.jazzenligne.com/Various-Artists...-Jazz,5620.html 
 
Let me know! 
 
Thanx</description>
			<content:encoded><![CDATA[<div>Hi there,<br />
would anybody have any informations about the historical french/belgian label?<br />
Just below, I leave a text in french language.<br />
You can listen or buy this music at <br />
<br />
<a href="http://www.jazzenligne.com/Various-Artists...-Jazz,5620.html" target="_blank">http://www.jazzenligne.com/Various-A...Jazz,5620.html</a><br />
<br />
Let me know!<br />
<br />
Thanx<br />
<br />
B<br />
<br />
Bonsoir à tous,<br />
<br />
a récemment été mise en ligne une bonne partie des faces des Disques ABC/Jazz Club français qui suscite mon interrogation vu le peu d'infos que j'ai pu récupéré à leur sujet. <br />
<br />
Les dites-faces sont disponibles sur le site <a href="http://www.musicme.fr" target="_blank">www.musicme.fr</a> (chercher ensuite Jazz Club français, c'est la référence principale à indiquer mais ce site ne donne pas d'accès direct à la page correspondante) et plus facilement accessible au:<br />
<br />
<a href="http://www.jazzenligne.com/Various-Artists...-Jazz,5620.html" target="_blank">http://www.jazzenligne.com/Various-A...Jazz,5620.html</a><br />
<br />
Alain Tercinet a eu le gentillesse de me dire ce qu'il savait (cad déjà bcp!):<br />
<br />
&quot;Le Jazz Club Français était lié au Jazz Club de Belgique. Le mari d'Yvonne Blanc (Armand Darigaux ou Barigant) s'occupait de Decca Belgique. A partir de 1941 il enregistra à Paris des disques de musiciens français qui ne devaient être publiés qu'en Belgique. Ce qui n'empêcha pas le label « Collection du Jazz Club Français - Disques ABC » de publier nombre de ces faces une fois l'Occupation terminée. En modifiant souvent le libellé des orchestres, ainsi Chiffon attribué à Hubert Rostaing avait été enregistré par le « Quintette Français ». Le 25 Janvier 1945, «ils »(Yvonne Blanc était dans le coup) réalisérent quelques faces originales - dans un studio de la rue du Ranelagh - attribuées au « Jazz Club Mystery Hot Band » comprenant Django + des musiciens américains venus de l'orchestre militaire de Glenn Miller (sans son chef bien sûr) en tournée à Paris. Yvonne Blanc au printemps 1945 enregistra pour le même label sous la houlette de Jerry Mengos en tant que Quintette Rythmique de Paris. Deux titres seront publiés par Decca&quot;.<br />
<br />
Par ailleurs, la thèse d'Anne Legrand sur le fonds Delaunay déposé à la BNF et prochainement publiée reporte: <br />
<br />
&quot;Selon Charles Delaunay, le club le plus nuisible pour son association est le Jazz club Français, se présentant comme une filière du Jazz club de Belgique fondé à l’automne 1932, notamment pas Félix Faecq et Robert Goffin. Armand Barigant, ancien responsable de la maison de disques Decca à Bruxelles, exploite « les capitaux illicitement gagnés en Belgique et transférés en hâte à Paris, en ouvrant des cabarets et en montant une affaire qui devrait concurrencer et enterrer le HCF ». Delaunay lui reproche également d’avoir choisi un nom se rapprochant et pouvant prêter à confusion avec celui du Hot Club de France mais aussi avec celui de la Fédération Internationale des Hot Clubs, existant depuis 1935 et représentée par la revue Jazz Hot, car Barigant se présente aussi comme l’instigateur d’une Fédération Française et Internationale du Jazz. Barigant fait connaitre ses projets à Robert Goffin, Scoop Kennedy et d’autres personnalités du monde jazzistique. Concurrençant Charles Delaunay sur ses objectifs, il projette à son tout la création d’une revue. Crée le 2 octobre 1944, le Jazz Club Français n’est pas reconnu officiellement au début de l’année 1945. Delaunay décide donc de déclarer le Hot Club de Paris avant de se faire voler le nom. Le 10 juillet 1945, il fonde cette association dont il déclare l’existence à la Préfecture de Police de Paris, le 18 juillet.&quot;<br />
<br />
Et aussi:<br />
<br />
&quot;Depuis l’automne 1945, Charles Delaunay et Hugues Panassié, avec leurs confrères belges, Carlos de Radzitzky et Albert Bettonville mais aussi Armand Barigant du Jazz Club Français, sont devenus membres d’honneur de la National Jazz Foundation en remerciement de leurs services rendus à la cause du jazz.&quot;<br />
<br />
Le silence qui entoure l'histoire de ces faces ne laisse de m'étonner mais semble s'expliquer par la rivalité des disques ABC/Jazz Club Français avec le Hot Club français de Charles Delaunay ainsi que par la relative mauvaise réputation auprès des amateurs de jazz d'Yvonne Blanc qui s'était également illustrée dans la musique de genre. Les liens avec la Belgique sont assez fort pour imaginer que des éléments du puzzle dorment outre Quièvrain!<br />
<br />
Toutes informations supplémentaires seraient les bienvenues.<br />
<br />
Merci!</div>

]]></content:encoded>
			<category domain="http://forums.allaboutjazz.com/forumdisplay.php?f=17">Discographies</category>
			<dc:creator>unchatquipeche</dc:creator>
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			<title>Jazz Flautists today</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42333&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 18:45:10 GMT</pubDate>
			<description>I have a fair selection of Jazz flute going back to the 50s 60s and 70s, and some a bit later by artists who were active over these decades. 
 
Who (current younger generation), today is playing flute / alto flute as a primary instrument, or at least a 50% double</description>
			<content:encoded><![CDATA[<div>I have a fair selection of Jazz flute going back to the 50s 60s and 70s, and some a bit later by artists who were active over these decades.<br />
<br />
Who (current younger generation), today is playing flute / alto flute as a primary instrument, or at least a 50% double</div>

]]></content:encoded>
			<category domain="http://forums.allaboutjazz.com/forumdisplay.php?f=12">General Music Discussion</category>
			<dc:creator>Tenorman</dc:creator>
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			<title>Huge ECM Rarum Mp3 deal at Amazon</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42332&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 13:27:54 GMT</pubDate>
			<description><![CDATA[The digital download of ECM's Rarum Box Set: Selected Recordings Volume 9-20 is on sale at Amazon for 18 bucks. 
 
http://www.amazon.com/Rarum-Box-Set-Selected-Recordings/dp/B0013XQI0E/ref=dm_cd_album_lnk?ie=UTF8&qid=1258723145&sr=8-3 
 
If you're already an ECM connoiseur, you might have much of...]]></description>
			<content:encoded><![CDATA[<div>The digital download of ECM's Rarum Box Set: Selected Recordings Volume 9-20 is on sale at Amazon for 18 bucks.<br />
<br />
<a href="http://www.amazon.com/Rarum-Box-Set-Selected-Recordings/dp/B0013XQI0E/ref=dm_cd_album_lnk?ie=UTF8&amp;qid=1258723145&amp;sr=8-3" target="_blank">http://www.amazon.com/Rarum-Box-Set-...8723145&amp;sr=8-3</a><br />
<br />
If you're already an ECM connoiseur, you might have much of this material and this compilation might not be terribly exciting, but for anyone who wants to build up their ECM collection, this is a great deal.  12 &quot;discs&quot; and over 14 hours of music.</div>

]]></content:encoded>
			<category domain="http://forums.allaboutjazz.com/forumdisplay.php?f=12">General Music Discussion</category>
			<dc:creator>dsschicago</dc:creator>
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			<title>Ruben Diaz Cd “Andalusian Flavor” 2009</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42331&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 07:55:27 GMT</pubDate>
			<description>Hello Amigos: Here I send you the Theme of my new record: 
“Andalusian Flavor”  2009 
 
http://www.youtube.com/watch?v=9kQiW7DoZI0 
 
Here are 2 audio HQ tracks of my last album 2009, 
“Andalusian Flavor” ( takes 2 minutes to download ) 
  
http://www.rdiaz.org/recordsincanada.html</description>
			<content:encoded><![CDATA[<div>Hello Amigos: Here I send you the Theme of my new record:<br />
“Andalusian Flavor”  2009<br />
<br />
<a href="http://www.youtube.com/watch?v=9kQiW7DoZI0" target="_blank">http://www.youtube.com/watch?v=9kQiW7DoZI0</a><br />
<br />
Here are 2 audio HQ tracks of my last album 2009,<br />
“Andalusian Flavor” ( takes 2 minutes to download )<br />
 <br />
<a href="http://www.rdiaz.org/recordsincanada.html" target="_blank">http://www.rdiaz.org/recordsincanada.html</a><br />
<br />
the comments and critics about my Cd “Andalusian Flavor”<br />
are here<br />
<a href="http://www.rdiaz.org/rdbegining.html" target="_blank">http://www.rdiaz.org/rdbegining.html</a><br />
<br />
and some pics...<br />
<a href="http://www.rdiaz.org/rdfoto12.html" target="_blank">http://www.rdiaz.org/rdfoto12.html</a><br />
<br />
<a href="http://www.rdiaz.org/rdfoto11.html" target="_blank">http://www.rdiaz.org/rdfoto11.html</a><br />
<br />
Ruben Díaz: Flamenco Guitar &amp;  handclaps.<br />
<br />
Bill McBirnie: Flute. <br />
Lorne Lofsky: Electric guitar. <br />
Juan Pablo Domínguez: Bass. <br />
Bhadra Dasi: Cajón. <br />
Luis Deniz: Alto sax.<br />
Alexander Brown: Trumpet. <br />
Chris Butcher: Trombone. <br />
Greg Gebert: guitar<br />
<br />
<br />
I hope you like it!<br />
<br />
Ruben Diaz<br />
<a href="http://www.rdiaz.org/rdfoto2.html" target="_blank">http://www.rdiaz.org/rdfoto2.html</a></div>

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			<dc:creator>rubendiaz</dc:creator>
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			<title>“My Way” flamenco guitar lessons Toronto (for beginners)</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42330&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 07:52:14 GMT</pubDate>
			<description>This is a lesson for beginners and everyone -can and should- 
 try to play this piece, it doesn’t matter if you are classical guitar player, electric guitar player, acoustic steel string pick player, or nylon string player, this piece is for all! 
 
Here is an example of how to apply the Paco de...</description>
			<content:encoded><![CDATA[<div>This is a lesson for beginners and everyone -can and should-<br />
 try to play this piece, it doesn’t matter if you are classical guitar player, electric guitar player, acoustic steel string pick player, or nylon string player, this piece is for all!<br />
<br />
Here is an example of how to apply the Paco de Lucia’s <br />
technique to other musical styles, like this song by Paul Anka<br />
that Elvis make so famous.<br />
<br />
Although some times people attribute this kind of rumba arrangements to “Gipsy Kings” (1987),actually it was 18 years before them that Paco de Lucia innovated with the idea of playing Cuban, South American &amp; popular songs of any country, into rumba flamenca on his 1969 LP entitled:<br />
 Paco de Lucia en Hispanoamérica.<br />
<br />
“My Way” (E major)<br />
<br />
<br />
Chords &amp; melody lesson<br />
<a href="http://www.rdiaz.org/rdvideo122.html" target="_blank">http://www.rdiaz.org/rdvideo122.html</a><br />
<br />
and with this one, you can play over and have fun!<br />
<a href="http://www.rdiaz.org/rdvideo123.html" target="_blank">http://www.rdiaz.org/rdvideo123.html</a><br />
<br />
<br />
The chords are: <br />
<br />
||: E (x6),D ,C#7,F#m (x2), F#m7maj (x2), F#m7,B7,E (x2),<br />
Bm (x2),E7 (x2),Amaj7 (x2),Am (x2),G#m,C#7, F#m, B7, <br />
Am (x2), E(x2) :||<br />
<br />
then the bridge chords are:<br />
<br />
<br />
Bm(x2),E7(x2), Amaj7(x2), F#m (x4),B7 (x2), G#m (x2),<br />
   C#m (x2),Amaj7 (x2), B7 (x2),Am (x2),E (x2) ||<br />
<br />
And of course...<br />
you are invited to upload your own video to YouTube playing a solo or the lead melody as you prefer , with your guitar &amp; along with the audio of my video lesson, that is: accompanied by the sound track using the following video:  <br />
<a href="http://www.rdiaz.org/rdvideo123.html" target="_blank">http://www.rdiaz.org/rdvideo123.html</a><br />
<br />
<br />
(make this video in a week or so!...and send me the link, then we will comment over, for different creative approach’s etc,<br />
I am sure you will love this experience!, it will be fun!<br />
here is an example of how to do this kind of videos, certainly that’s with another song but, you can watch it, just to have an idea! <a href="http://www.rdiaz.org/rdvideo81.html" target="_blank">http://www.rdiaz.org/rdvideo81.html</a> )<br />
                                               <br />
and <br />
<br />
( In case you need it!<br />
The rumba strumming pattern you can learn from this lesson<br />
<a href="http://www.rdiaz.org/rdvideo51.html" target="_blank">http://www.rdiaz.org/rdvideo51.html</a> )<br />
<br />
<br />
<br />
Ok my friends!<br />
now… <br />
Be creative and have fun!<br />
<br />
Ruben Diaz.<br />
<a href="http://www.rdiaz.org/rdfoto4.html" target="_blank">http://www.rdiaz.org/rdfoto4.html</a></div>

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			<title>David Murray and the Gwo ka Masters: The Devil Tried To Kill Me</title>
			<link>http://forums.allaboutjazz.com/showthread.php?t=42329&amp;goto=newpost</link>
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			<description>This global block party, by saxophonist David Murray, blends ebullient African-rhythms with funk and jazz, brought by a fiery band that integrates two Gwo ka masters (Guadalupean drummers/vocalists), some sassy urban soul from pianist/vocalist Sista Kee, and the world renowned blues voice of {{Taj...</description>
			<content:encoded><![CDATA[<div>This global block party, by saxophonist David Murray, blends ebullient African-rhythms with funk and jazz, brought by a fiery band that integrates two Gwo ka masters (Guadalupean drummers/vocalists), some sassy urban soul from pianist/vocalist Sista Kee, and the world renowned blues voice of {{Taj Mahal = 8981}}. The Devil Tried To Kill Me is Murray's third release with the Gwo ka Masters, following 2004's well received Gwotet (Justin Time), a recording that also featured avant-garde icon, saxophonist {{Pharoah Sanders = 4045...<br />
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			<link>http://forums.allaboutjazz.com/showthread.php?t=42328&amp;goto=newpost</link>
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			<description><![CDATA[What a surprise to hear the first-ever recording that joins piano maestros {{Hank Jones = 8166}} and {{Oliver Jones = 8185}}.  A Detroit native, ninety-year-old Hank Jones is from the family that gave us {{Thad "Bartok with Wings" Jones = 8200}} and polyrhythmist {{Elvin Jones = 8162}}, and he has...]]></description>
			<content:encoded><![CDATA[<div>What a surprise to hear the first-ever recording that joins piano maestros {{Hank Jones = 8166}} and {{Oliver Jones = 8185}}.  A Detroit native, ninety-year-old Hank Jones is from the family that gave us {{Thad &quot;Bartok with Wings&quot; Jones = 8200}} and polyrhythmist {{Elvin Jones = 8162}}, and he has participated in historic bebop sessions with {{Charlie Parker = 10115}} and memorable duets with {{Tommy Flanagan = 6729}}. Montreal's Oliver Jones, who once followed in the footsteps of {{Oscar Peterson = 10250}}, has emerged to forge a virtuosic path as a Canadian music icon not unlike his erstwhile predecessor...<br />
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