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| Music Theory and Analysis Discuss composition, improvisational ideas, analysis of specific songs, recommended books and concepts, etc. |
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#1 |
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Registered User
Join Date: Dec 2011
Posts: 13
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Brass: What does your mental model look like?
Upcoming book. Brainstruments by Lee Sankey
Very interesting stuff about the mental model of your instrument. http://brainstruments.com/wp-content...mary-paper.pdf Howard Levy (worlds greatest harmonica player) sees a piano in his mind when playing the harp. Gary Burton Vibraphonist sees the keys on his vibraphone glowing. Myself I see this Dimiharp.tumblr.com (when playing harp) As a harmonica player I made a couple of presentations of my mental model. They have helped me greatly to clearly see patterns I have recently started to play the trumpet. But I have yet established a mental model of my instrument. How does other Brass players mental models work? Lee mentions in his free summary that 2/3 trumpet players he interviewed strangely did not have a mental model. He does not mention the third players model. Thanks for your input |
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#2 |
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Registered User
Join Date: Dec 2011
Posts: 13
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Lee also writes somewhere in the summary that about 85% of the professional players are not aware that they have a mental model. But they realize they do when asked to focus on it.
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#3 |
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Registered User
Join Date: Mar 2012
Posts: 58
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I have no mental model. When I am improvising I do not visualize anything other than the end of my horn. I try not to allow anything else to interrupt the stream of what I hear internally to what comes out of the horn.
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