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#91 |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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Yes, the rhythmic "tricks" on melodica in end of recording prove that the drummer plays.This just proves the benefit of this instrument to develop good rhythm.
By the way, when You play melodica, You don't have to leave the drum kit, for example with one hand playing on melodica, the other - on the h.h. Here on the forum there is a huge amount of valuable information about improvisation questions : not only rhythm, but also about harmony, building melodic lines, strategies for successful improvisation.Especially pay attention to suggestions for horn players. You can also look here: http://jazzadvice.com/ Highly recommended!
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http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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#92 | |
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Drummer and B3 Freak
Join Date: Feb 2013
Location: SF Bay Area
Posts: 190
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Quote:
A small, lightweight instrument has infinite possibilities.
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All the Best, Kevin. My band's site: parhelionjazz.bandcamp.com |
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#93 |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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Very good, Kevin! You can divide your solos between the drums and melodica into 4- 4 or 8 - 8 bars. For example, try to present melodically the 4 bars of drums solo and play it on melodica as follows:
original - http://www.charlieheim.com/documents/joy%20spring.pdf rearranging for melodica- http://freejazzinstitute.com/showpos...30_jazzman1945 As for the instrument itself - is beyond doubt that its potential has not been exhausted at all, and that's what I discovered (and much more than that described on the website Melodicas) is only part of potential. Only serious attitude to melodica allow that this potential will be realized!
__________________
http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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#94 | |
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Drummer and B3 Freak
Join Date: Feb 2013
Location: SF Bay Area
Posts: 190
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Quote:
Great point.
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All the Best, Kevin. My band's site: parhelionjazz.bandcamp.com |
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#95 |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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The main advantage of melodica for learning jazz: the ability to solve relative ease chronic problems of rhythm and swing feel not only for children but also for adults.
After 43 years of teaching jazz and research melodica can be stated quite seriously: the fact that melodica not introduced methodically into existing jazz institutions in different countries, can not be called anything other than absurd!
__________________
http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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#96 |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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Maybe this clip will bring to someone some thoughts(besides the fact that the instrument should be tuned ) ?
http://www.youtube.com/watch?v=iLYt2Yn6s-M To see the translation, click Annotations.
__________________
http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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#97 |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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__________________
http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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#98 | |
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Drummer and B3 Freak
Join Date: Feb 2013
Location: SF Bay Area
Posts: 190
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Quote:
__________________
All the Best, Kevin. My band's site: parhelionjazz.bandcamp.com |
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#99 |
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Piano
Join Date: May 2007
Location: So.Cal.USA
Posts: 888
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#100 | |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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Quote:
accordion ...
__________________
http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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#101 |
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Drummer and B3 Freak
Join Date: Feb 2013
Location: SF Bay Area
Posts: 190
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I agree with Soprano Sax over Accordion, but even so, the melodica is very unique – it should not be dumped in a group with more "common" instruments, or any other group for that matter. It is extremely individual, and has its own sound, which needs to be respected. Soprano over Accordion yes, but again, it the melodica should not be used as a substitute for something else.
__________________
All the Best, Kevin. My band's site: parhelionjazz.bandcamp.com |
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#102 |
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Registered User
Join Date: Jul 2010
Location: Israel
Posts: 1,580
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You're right, Kevin - melodica as a new instrument didn't get his repertoire, and in 52 years of existence, has not formed the original concept for it . Therefore, each performer pulls her aside of a traditional musical instrument.
__________________
http://www.jazzideas.com ---------------------------------------------------------------------------------------- We shouldn't wait for favors from the Theory, take them from it is our goal! |
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