Originally Posted by MaxShlochz
What's bitonality? and dyadic motives?
And one more thing, for me to compose a modal or impressionist tune - if I add quartal harmony, not have many chords in a song, have modal chord successions, use a pedal point, and not resolve "correctly", will I get a modal tune?
Because it sounds you can also have quite random chords and also call it a modal tune. (especially when it says there's no need to resolve)
Never mind my question, I, for some reason didn't think about doing the research myself and apparently I'm very familiar with these terms, sorry for the possible inconvenience.