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Peter Lewis And Peter Perrett: Sleeper LP's of 2019
ByPeter Lewis
The Road to Zion
Omad Records
2019
Co-auteur of what is perhaps the finest debut album of contemporary rock, the eponymous Moby Grape (Columbia, 1967), Peter Lewis remained a linchpin of the group as its membership dwindled through a series of personal and professional snafus. He has nevertheless continued performing over the ensuing years, often with his former bandmates, so it's no surprise The Road to Zion resounds, albeit in muted form, with the vocal and instrumental expertise of a practiced musician. Still, the intricacy of the acoustic guitar interplay on the opening song, is an ambitious ploy, if a pragmatic one, further borne out by the succeeding ten cuts. Over roughly forty-minutes, with his supple singing as much as his dexterous guitar work, Peter Lewis reminds in no uncertain terms not only what natural skills he lent to his former, star-crossed band, but also how fluent he remains as a singer and player: it is no coincidence but rather a decision borne out of self-confidence, that the final pair of tracks, "Celebration of January 24" and "For The Gypsy," feature him in a solo setting.
Peter Perrett
Humanworld
Domino Recording Co.
Year
The prominence of synthesizer in the credits of this records belies its presence as background: it's usually utilized to add to the ghostly air of the elder Perrett's vocals, while broad swathes of electric guitars more often swoop into the stereo spectrum during cuts such as "I Want Your Dreams" and "Once Is Enough." In the studio, the recent touring/stage experience of this same ensemble (including Perrett's offspring bassist Peter Jr. and guitarist Jamie) precludes any mechanical feel tainting any cuts, even the most mesmerizing ones, like "Heavenly Day." In fact, the sonic backdrop billows on that track, triggered by the comparative warmth of an acoustic piano that appears just prior to its conclusion. "Love Comes on Silent Feet" is almost pure rock and roll, its raucous air and headlong tempo set in clear relief against the gentility of "The Power Is In You," where the generally wan vocal delivery Peter Perrett uses similarly (and equally effectively) reinforces the fortitude at the heart of that and the other eleven original songs on Humanworld (contrary to titles like "Believe In Nothing).
Tracks and Personnel
The Road to Zion
Tracks: On The Road To Zion; Down By The Water; When I Think About Me; Nobody's Love; In This Place; Journey To The Crossroads; A Song For Kris; When I'm Gone; Only A Fool; Celebration Of January 24; The Gypsy.
Personnel: Peter Lewis: vocals, guitars, harmonica; Arwen Lewis: guitar, background vocals George Adrian: guitar, background vocals; Rob Bailey: guitar; Alan Zahn: piano; John DeNicola: bass, percussion; Nick Babishoff: bass; Jake DeNicola: drums; Brian Delaney: drums.
Humanworld
Tracks: I Want Your Dreams; Once Is Enough; Heavenly Day; Love Comes On Silent Feet; The Power Is In You; Believe In Nothing; War Plan Red; 48 Crash; Walking In Berlin; Love's Inferno; Master Of Destruction; Carousel.
Personnel: Peter Perrett: vocals, rhythm guitar; Jamie Perrett: guitar; Jenny Maxwell: electric viola, Microkorg synthesizer, backing Vocals; Lauren Moon: keyboards, backing Vocals; Peter Perrett Jr.: bass; Jake Woodward: drums.
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