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Bill Frisell: The Intercontinentals
ByA few words about the players and styles on this record. Obviously Frisell made a conscious choice to surround himself with an international crew (from Brazil, Mali, Greece, Los Angeles, and New York) and to pursue tunes that never stop in the same place twice. That's the main distinction of The Intercontinentals and the feature which lends it strength. Whatever traditions the group chooses to salute, purity is never part of
the equation, and that's absolutely key. And the fact that everyone plays either strings or percussion certainly flavors the sound accordingly.
In recent years Frisell has turned ever closer toward American heartland music, replacing his previous maverick self with a regular-guy country persona. To be honest, that has been a disappointing trend since it has boxed him in and withdrawn much of the color from his music. He certainly doesn't suffer from a lack of imagination, though, and it's nice to see that put to good use on this record. The country aspect never leaves the music (there's enough lap and pedal steel in the hands of Greg Leisz to build a skyscraper), but it gets a needed infusion from all angles.
Frisell matches his by now trademark lush and reverberant guitar sound with the emphatic singularity of the oud and the organic slide of the violin. "Listen" and " Good Old People" have a warm, easy tendency toward resolution. On Boubacar's "Baba Drame" Sidiki Camara adds vocals. The expectant funk of "Prociss'o" rides with harmonized Brazilian vocals and a down home bluegrass prance. The brief "Young Monk" is the only acoustic piece, a duet where Frisell's nylon string guitar supports trilling, accented minor melodies on Christos Govetas' oud. An oddly symphonic blues drives "Eli," only to wind down with the record's sad, pared-down closer, "Remember."
In the end the buoyancy of a multifaceted band, eclectic voicings, and creative choice of material render The Intercontinentals an unqualified success. I'd rather Frisell replace his Americana obsession with something a little more interesting; this recording certainly represents a huge leap in the right direction.
Note: this record is a top ten Modern Jazz Guitar pick.
Track Listing
Boubacar; Good Old People; For Christos; Baba Drame; Listen; Anywhere Road; Procissao; The Young Monk; We Are Everywhere; Yala; Perritos; Magic; Eli; Remember
Personnel
Bill Frisell
guitar, electricVinicius Cantuaria
guitar and vocalsSidiki Camara
percussionChristos Govetas
oudGreg Leisz
guitar, steelJenny Scheinman
violinAlbum information
Title: The Intercontinentals | Year Released: 2003 | Record Label: Nonesuch Records
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About Bill Frisell
Instrument: Guitar, electric
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